Andrea del Castagno
Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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Andrea del Castagno St John the Evangelist oil painting


St John the Evangelist
1442 Fresco
Painting ID::  32204 		Andrea del Castagno
St John the Evangelist
1442 Fresco
   
   
     
Andrea del Castagno Eve oil painting


Eve
c. 1450 Fresco
Painting ID::  32205 		Andrea del Castagno
Eve
c. 1450 Fresco
   
   
     
Andrea del Castagno Madonna and Child oil painting


Madonna and Child
c. 1450 Fresco
Painting ID::  32206 		Andrea del Castagno
Madonna and Child
c. 1450 Fresco
   
   
     
Andrea del Castagno Madonna and Child with Saints oil painting


Madonna and Child with Saints
c. 1445 Fresco, 290 x 212 cm
Painting ID::  32207 		Andrea del Castagno
Madonna and Child with Saints
c. 1445 Fresco, 290 x 212 cm
   
   
     
Andrea del Castagno Last Supper and Stories of Christ's Passion oil painting


Last Supper and Stories of Christ's Passion
1447 Fresco, 453 x 975 cm
Painting ID::  32208 		Andrea del Castagno
Last Supper and Stories of Christ's Passion
1447 Fresco, 453 x 975 cm
   
   
     
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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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